Yoshida Fifty Eight Eight


graduated from Tokyo Art School, in 1925, go to Europe and the United States. After returning to China, it is engaged in architectural design. Lifelong has been working on Japanese traditional number of house buildings, and has designed a large number of new number of houses. Style small residence. Created with a line-friendly and concise characteristic and room building style. In 1954, it became a member of the Japanese Arts Institute. The main works include: Meiyuan Long Sanlang House, Tokyo Wushu Art Museum, Yoshimao Residential (1962), Coast Truncation Residence (1969), Rome Japanese Cultural Hall (1962), etc. The main works are: "Numbers of House 10" (1965), "Street and City" (1973), etc. In 1964, the Japanese Cultural Medal was obtained.


1894, as the eighth child of Daita Yaoxin (founder of Isan Opea) is born in the Japanese bridge, it is the 5th boy at home. At the time, my father was 58 years old, so I was named fifty-eight. At the age of 4, his father died, and his mother also died in him. In 1909, in order to prevent the mother from being changed from Ji'er.

graduated from Changxuan Primary School, Tokyo Kaichu (now the current high school). Under the strong suggestion of Jiuji Temple, Jiuji Temple, in 1915, in 1915, I entered the architectural design department of Tokyo Art School and learned to Okama Xinyirang. During the eighth year of the University, they worked in and the store design. Graduated in 1923. After graduating, build an architectural firm immediately.

In 1925, the student era was fascinated by the modernist architecture of Germany, the Netherlands, and tropically, with the help of the brothers, travel to Europe, the United States. Leave a deep impression in the visit is a strong modern building, rather than the architecture, gothic architecture and historic buildings in the Renaissance of the European. Under this influence of this travel exhibition with historic buildings, Ji'er has returned to China, and the construction of construction has made great changes. Yoshida is a premise of architecture historical tradition and people's long-term future, it is not necessary to let Japan's construction you will never get abroad. Therefore, a number of housekeners combined with Japanese traditional architecture and modernization is established. Since understanding your architectural direction, Ji Fei closed his architectural firm and reopening it, specializing in the work of Japanese traditional buildings.

From the mid-1930s, there is a modern house with its own characteristics, the modern housing is published and constructed. At the same time, I have reached the construction of the German architect Bruo Tert, Guijing Palace, etc., is similar to the modern assessment, so that the Japanese architecture of several houses aggregates the attention of the world. Yoshida's Japanese modern building number is widely concerned.

Yoshida 58 Building Atlas (2)

The number of regular house architecture has increased its proportion of the proportion of modern buildings. In 1941, Yoshida set up a Tokyo office in his alma mater. In 1944, in order to escape the war threat to the Tokyo, evacuate to the second palace street in Kanagawa, and establish a house. 1946 から 东 东 美 美 美 教 (1949 ~ Beijing Art University) め. In 1946, he returned to the teachers of the Tokyo Art School (until 1949). In 1964, the cultural medal was obtained. (Architect Ito Yandong Zhongta also has this award) in 1974, died of colon cancer and enjoy the year 80. The legacy is the Japanese residence in Washington ambassador.


屋 屋 六 卫 别 (冈 热 热 市 / 1936)

Xiaolin ancientus painting room (1937 / Niigata County, the city Relocation)

Xinsong Park Hotel (1939 / Miyaixian Songdao / suspended)

New Hirak (Tokyo Central District / 1940? / Repair several times)

波 茂 别 (City Hot Sea, Shizuoka Prefecture / 1941)

Self-resident (Kanagawa) 二 宫 / 1944)

Kabuki Rejuvenation (Tokyo Central District / 1950 / Tiandahuan)

Meiyuan Long Sanlang Painting Room (Qingchun Estate Village. Reconstruction / 1952)

Yanskou Pengchun Studio (Ye Shancho-cho Yushancho, Kanagawa / 1955 / Public)

Japanese Art Academy Hall (Tokyo Tu Taitung District / 1958)

Wuxi Art Museum (Tokyo Ducheng Tamura District / 1960)

Dahe Wenhua Pavilion (Nara), Nara, Nara,,,,,,,,,,,,,,,,, 青, 青, 青梅 / 1961)

Yoshimao Building (Dabaikawa County Daxi-machi / 1961 -

吉屋 信 子 (神 川 市 / 1962 / disclosed)

Northern Zehui Hall (now Zunban Cultural Center / Naganxia Tuna / 1962)

Japanese Cultural Center (Rome, Italy / 1963)

Fuji (Okazaki) (崎 区, Kyoto / 1965)

North Village (Kyoto Shangjing District / 1965 / North Village Adjacent Adjacent)

Pig 俣 (now "Pig Hall Garden / Tokyo Dubutian Valley Area / 1967 / Public)

Zhonggong Temple Palace (Nara Of町 / 1968)

Cheng Tianshan Xinsheng Temple this hall (Chiba) YATTO / 1968)

満 満 (Tokyo Metropian Valley District / 1970)

Japan Wan Guo Bo 覧 松 松 下 (大 市 / 1970 / suspended)

Coast interior (Shizuoka Yubei Yuma City / 1971/2005 Donation to the city)

Foreign Agency Winehouse? Diplomatic Data Museum (Tokyo Dudang District / 1972)

Osaka Royal Hotel New Hall (Osaka / 1973)

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